Last updated: 2026-03-20 • All sends PRE-FADER • Scarlett 18i20 + Behringer ADA8200
| # | Song | BPM | Album |
|---|---|---|---|
| 0 | What I've Done | 120 | Minutes to Midnight |
| 1 | The Emptiness Machine | 184 | From Zero |
| 2 | Cut the Bridge | 75 | From Zero |
| 3 | Heavy Is the Crown | 128 | From Zero |
| 4 | Over Each Other | 148 | From Zero |
| 5 | Casualty | 160 | From Zero |
| 6 | Overflow | 134 | From Zero |
| 7 | Two Faced | 92 | From Zero |
| 8 | Stained | 92 | From Zero |
| 9 | IGYEIH | 160 | From Zero |
| 10 | Somewhere I Belong | 162 | Meteora |
| 11 | Lost | 105 | From Zero |
| 12 | Good Things Go | 127 | From Zero |
| 13 | Up from the Bottom | 107 | From Zero |
| 14 | Where'd You Go | 85 | The Rising Tied |
| 15 | In The End | 105 | Hybrid Theory |
| 16 | Crawling | 105 | Hybrid Theory |
| 17 | One Step Closer | 95 | Hybrid Theory |
| 18 | Numb | 110 | Meteora |
| 19 | Breaking The Habit | 100 | Meteora |
| 20 | Shadow Of The Day | 110 | Minutes to Midnight |
| Playback | Physical | Return | Signal | Level |
|---|---|---|---|---|
| 1/2 | Monitor 1-2 | Master | Full mix (backup) | -2 dB |
| 3/4 | Line 3-4 | FOH Drums | Drum group | -6 dB |
| 5/6 | Line 5-6 | FOH Bass | Bass group | -6 dB |
| 13/14 | ADAT 1-2 → Behr 1/2 | C-FOH Music | Guitars + Keys + Backing + LP Vocals | -6 dB |
| 17/18 | ADAT 5-6 → Behr 5/6 | D-FOH JM | JM live mic only | -6 dB |
| 19/20 | ADAT 7-8 → Behr 7/8 | G-FOH Vocal 2 | Vocal 2 live mic only | -12 dB |
| Playback | Physical | Return | For | Character |
|---|---|---|---|---|
| 7/8 | Scarlett HP 1 | H-IEM Band (-12 dB) | Band (MUTED) | Drums + bass + guitars loud |
| 9/10 | Scarlett HP 2 | F-IEM Vocal 2 (-12 dB) | Vocal 2 (cable) | Configurable |
| 15/16 | ADAT 3-4 → Behr 3/4 | E-IEM JM (-3 dB) | JM (headphones) | Own vocal dominant, backing quiet |
| ID | Track | Group | Volume | Notes |
|---|---|---|---|---|
| 100 | Kick | Drums | 0 dB | |
| 101 | Snare | Drums | 0 dB | |
| 102 | Hi-Hat | Drums | 0 dB | |
| 103 | Cymbals | Drums | 0 dB | |
| 104 | Toms | Drums | 0 dB | |
| 105 | Other Kit | Drums | 0 dB | |
| 106 | Bass | Bass | 0 dB | |
| 107 | Rhythm Guitar | Guitars | 0 dB | |
| 108 | Lead Guitar | Guitars | 0 dB | |
| 109 | Vocals Original | Vocals | -14 dB | LP original vocals |
| 110 | Backing Vocals | Vocals | 0 dB | |
| 111 | Keys | Keys & Synth | -19 dB | |
| 112 | Piano | Keys & Synth | 0 dB | |
| 113 | Strings | Keys & Synth | 0 dB | |
| 114 | Wind | Keys & Synth | 0 dB | |
| 115 | Other | Keys & Synth | 0 dB | |
| 116 | Metronome | Keys & Synth | MUTED | Unmute for click track |
| ID | Track | Volume | Output |
|---|---|---|---|
| 200 | Drums | -6 dB | → Master |
| 201 | Bass | -6 dB | → Master |
| 202 | Guitars | -8 dB | → Master |
| 203 | Vocals | -6 dB | → Master |
| 204 | Keys & Synth | -10 dB | → Master |
| 18 | JM Vocals | -3 dB | → Master (Ext. In 3) |
| 206 | Guitar (Raw) | 0 dB | → Master (Ext. In 1) |
| — | Master | -2 dB | → Out 1/2 |
Values in dB. Green = primary signal, Blue = background, Gray = off (-70dB). Sends per-track for Vocals (109/110), per-group for rest.
Ableton Rack (OFF) + 3 FabFilter plugins (direct)
| Input | Source | Notes |
|---|---|---|
| Scarlett 1 | Line6 Wireless Guitar | Raw DI, no 48V, instrument level |
| Scarlett 3 | SM58 → Shure BLX4 | JM Vocals — BLX4 line out, gain ~40%, no 48V |
| Scarlett 2, 4-8 | TBD | Vocal 2, additional instruments |
| ADAT 1-8 | ADA8200 inputs | Additional mic/line inputs |
| Output | Destination | Cable |
|---|---|---|
| Scarlett 1/2 | FOH / PA (master mix) | TRS balanced |
| Scarlett 3/4 | FOH Drums | TRS balanced |
| Scarlett 5/6 | FOH Bass | TRS balanced |
| Scarlett HP 1 (7/8) | IEM Drummer (cable) | Headphone jack |
| Scarlett HP 2 (9/10) | IEM Bassist (cable) | Headphone jack |
| ADA8200 1/2 | FOH Music | TRS balanced |
| ADA8200 3/4 | IEM JM (headphones) | Stereo monitoring |
| ADA8200 5/6 | FOH Vocals | TRS balanced |
| ADA8200 7/8 | IEM Guitars | TRS → IEM TX |